The scientific theory of evolution states that hu human beings evolved from apes, therefore we ar all, or once were animals. While some religious smoke choose to ignore this notion, Charles Dickens embraces it in his literary masterpiece, A Tale of two Cities. During the French mutation, inequality was rampant and became the idler end of the continuous musical rhythm of oppressiveness. In Charles Dickens A Tale of Two Cities, animal imaging emphasizes the seemingly unfailing cycle of oppression while establishing that the only way to break up the cycle is to birth human compassion. The cycle of oppression begins when adept group dominates another, creating inequality. In the stages preceding the Revolution, the peasants argon greatly ladened by the grandeur. The rase classes have been told so m each measure that they are reciprocal dog[s] (405) that they are starting to believe it is the truth. As a whole, they privation the bravery to stand up to the ongoing abu se, So cowed was their condition, and so long and hard their experience of what such(prenominal) a man could do to them, within the law and beyond it, that not a voice or a hand, or even an plaza was raised. (137). The peasants are so terrified of the top(prenominal) classes and the harm they could potentially inflict upon them, that they accept the cruelty and abuse.
The narrator describes the peasants as cows, which are generally obedient creatures. The abuse of the abject by the aristocracy is portrayed through animal imagery by describing the peasants as obedient animals. With their unsympathetic ways, the aristocracy is the oppressor in this vicious cycle of op! pression. Even before the French Revolution can formally begin the upper classes waste no time go all over the peasants and terrorizing them in any way possible. The aristocrats are predators with the... If you want to get a to the full essay, order it on our website:
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