Breathless Reaction Paper Essay

Katherine Paler- Rivera correspond to the adult maley articles and film hi stage that I read, this is the front feature film directed by Jean- Luc Godard who was considered the influencial director that started the cut revolutionary Wave. And based on our lectures, what makes the French New Wave illustrious was the technique like jumpcuts, shooting on location, victimization handheld photographic cameras, undetermined narrative form or improvised dialogue. Godard also uses the history of pic art and medical specialty. He also includes pictures in touchers of famous artists like Picasso and Renoir women.The medication in the soundtrack also includes Mozarts clarinet concerto and French pop radio. The whole story started when the character of Michel Poiccard which Jean Paul Belmondo portrays, has stolen a car. While he was drive he passed by deuce hitch hikers and decides to decline for the thought they were furthest too ugly for him. and so suddenly, he realized that t he cops was behind him. He hid on the side of the street. Thinking he got away he feels relieved. still suddenly a cop found him. He was shocked and unconsciously because of his instinct killed the cop.It was non shown how he shot the cop, it was suggested because the next word-painting, the cop f all(prenominal) down in the bushes. Then he runs away in an overspread field. In Paris, he called up somebody on the ph unrivalled solely no one is answering. Then he bought a newspaper from a boy in a bicyle, browse it a bit then head to an apartment employee asking for that somebody. He just took the keys when the manhood was not tone. Next scene he was inside the populate. He just had a quick time in the wash room to freshen up. He was looking for notes in the drawer but he was disappointed. He took a newspaper, read a bit then rubs in in his shoes.Then a some girl opens the door and let him in. The room was full of posters of girls. He was asking for money. While the girl was changing, Michel easily took the money in her wallet. Then in the next scene he was on the streets looking for a girl. It was Patricia Franchini who was portrayed by Jean Seberg. She was studying news media whom he had met in Nice a few weeks earlier. She was selling New York Herald Tribune. Michel was having a conversation with him about what had happen in their squelch in Nice, his women and their plans. He asks for a copy of the newspaper but consecrate it once he realized it had no horoscope.They were planning to see for each one other on the same same street when the solar day ends. When they parted, he saw a newspaper stand, bought a copy. Patricia rushed through him and gave him a quick smack on the cheek. Right then and there I observed that these 2 were an item. In the building where he got inside, he was looking for a guy friend named Tolmachov.. They talked about certain guys common to them. Then his friend handed him an envelope which he was not please. He was gi ven over a certain phone number that he called. Then he bid goodbye. Two gentlemen came inside the building, the bigger man I knew was an inspector.He was asking for Michel or a certain other name. At introductory Tomalchov denied he saw Michel but they were busted when a girl passed by and the detective asked her if he saw Tomalchov with a man 5 proceedings ago. He was also reminded that accessory of a murder is a crime. I find Michels character rude, proud, dishonest and self centered. He likes to experience e reallything easy without trying to work on it. Examples are the cars he stolen, the man he beat up in the comfort room so he can have money. I dont recover the respect Patricia. He uses people and have a go at its to use the word insect. He almost eer has a cigarette on her mouth which makes me annoyed. close to critic said he made it sexy but I dont find it appealing. As usual he always has a newspaper but I dont commemorate he paid for it. He wore sunglassed crims on if its late in the aft(prenominal)noon which I find truly absurd. Patricias character gets into my nerve. I nauseate movies that shows women they are like a thing to be used. I dont like if someone used bad dustup to a woman. Good for him that he told the police about Michel. The background music also bores me. They keep on using it again and again. Except for the genuine music they played when they were inside Patricias room.There was also this scene when Patricia was interviewing a man alongside other journalist. When she asked Whats your greatest ambiton? The man replied, To become immortal and then die. Patricia took off her sunglasses, think deeply and organisation the camera as if connecting to the viewers. In the scene where he called the cops about Michel, she even talked to him hear to heart. She love him thats why she gave him away which made him furious. According to Wikipedia, Godard envisaged Breathless as a reportage (documentary), and asked the Cinematogra pher Raoul Coutard to shoot the entire film on a hand- held camera, with next to no lighting.In assure to shoot under low light levels, Coutard had to use liford HPS film, which was not accessible as motion picture film stock at the time. He therefore took 18 metre lengths of HPS film sold for 35mm still cameras and spliced them together to 120 metre rolls. During development he pushed the negative one terminate from 400 ASA to 800 ASA. The size of the sprocket holes for motion picture film and the Cameflex camera was the only camera that would work for the film used. The production was filmed on location in Paris during the months of August and family line in 1959, using an Eclair Cameflex.Almost the whole film had to be dubbed in post- production because of the noisiness of the Cameflex camera and because the Cameflex was incapable of synchronized sound. Filming began in August 17, 1959. Godard met his work party at the Notre Dame cafe near the Hotel de Suede and shot for two hours until he ran out of ideas. Coutard has stated that the film was virtually improvised on the spot, with Godard writing lines of dialogue in an exercise book that no one else was allowed to look at. Godard would give the lines to Belmondo and Seberg while having a few brief rehearsals on scenes involved, then filming them.No permission was received to shoot the filmin its different locations (mainly the side streets and boulevards of Paris) either, adding the spontaneous feel that Godard was aiming for. However all locations were picked out before shooting began and Assistant Director Pierre Rissient has described the shoot very organized. Actor Richard Balducci has stated that shooting days ranged from 15 minutes to 12 hours, depending on how many ideas Godard had that day. Producer Georges de Beauregard wrote a letter to the entire cabal complaining about the erratic shooting schedule.Coutard claims that on a day that Godard had called in sick de Beauregard bumped into the director at a cafe and the two got into a fist fight. Godard shot most of the film chronologically, with the exception of the first sequence which was shot towards the end of the shoot. Filming at the Hotel de Suede for the extensive bedroom scene between Michel and Patricia included minimal crew and no lights. This location was difficult to secure, but Godard was determined to shoot there after having lives at the hotel after returning from South America in the earlyish 1950s.Instead of renting a dolly with complicated and time- consuming tracks to lay, Godard and Coutard rented a wheelchair for the film that Godard often pushed himself. For certain street scenes Coutard would hide in a postal cart with a hole in it for the lens and stamped packages piled on top of Coutard. Shooting lasted 23 days and ended on September 12, 1959. The final scene where Michel is shot in the street was filmed on the rue Campagne- Premiere in Paris. It left me hanging where Michel was shoot a nd Patricai catched up with the detective.Their dialogue had me thinking what was the meaning of their conversation especially the word louse. In my research it means a plural of lice, a apteral usually flattened blood sucking insect parasitic on warm- blooded animals or a person who has a nasty or unethical character underserving of respect. Michel for me is the big louse Frankly speaking I was not really into the film. The very first time I watched it, it was all in French with no subtitles. I tried myself to be enkindle with it but I just found myself bored.Good thing our teacher shared a copy with subtitle. Being a student I was diligent in all the dialougues and scenes. I was carefully observing the techniques that Ive learn in French New Wave. I find it gripping that during that time, Godard was a young director who was thinking outside the box. I love the confidence and the guts he puts into his film. He was even part of the film. So I tried to know him more. His most infl uential innovations was to design shots that count astonishingly flat. He is the most widely imitated director of the entire post war era.